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Christopher Morley

Review: University Music Society Philharmonic Orchestra, at Elgar Concert Hall, University of Birmingham
Retail & Consumer
How to celebrate an exciting new building which has been over a century in the waiting?
Review: Orchestra Of The Swan, at Birmingham Town Hall
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Anyone who heard this account from violinist David le Page will have come away exhilarated and gratified.
Review: Mahler Chamber Orchestra, at Birmingham Symphony Hall
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The Radio 3 audience listening to the live relay of this concert will have relished the marvellous music-making displayed - but what they will have missed, however, was the sheer joy radiating from the faces of all concerned.
Elgar Concert Hall is ready to be a city crown jewel
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Christopher Morley takes us around a simply stunning new music venue.
Review: Leon McCawley at The Artrix, Bromsgrove
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This country is blessed with a generation of pianists who have moved seamlessly from young lionhood to wise experience, and right at the top of that list is Leon McCawley.
Review: Evgeny Kissin at Symphony Hall
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Every appearance at Symphony Hall by Evgeny Kissin is an event, and Thursday's was no exception.
Review: CBSO at Symphony Hall
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The CBSO have a wonderful ritual whenever their beloved music director Andris Nelsons conducts them.
Review: Albert Herring, English Touring Opera at Malvern Theatre
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The clarity of English Touring Opera's new production of Britten's Albert Herring throws up some disturbing questions.
Key players unlock classic potential in Birmingham
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Christopher Morley looks at the highlights of a busy week in the region's classical music scene.
Review: Ex Cathedra Consort at Birmingham Oratory
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Listen to a group performing for the first time amid the glittering splendours of the Birmingham Oratory and you will almost certainly hear a struggle with its idiosyncratic acoustic - all that marble, all that loftiness, all those alcoves - which does the music no favours at all.
Birmingham Symphonic Winds still strong after 20 super years
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Having given 18 world premieres, Birmingham Symphonic Winds show no sign of letting up.
A faithful following is Ian Venables' secret
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After a songwriting hiatus, Ian Venables had a 'light bulb moment' which took his career to new heights.
Review: Mark Bebbington St Mary de Lode Church, Gloucester
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Mark Bebbington has built a reputation as one of the greatest exponents of British piano music, and one of his finest achievements has been his advocacy of the Piano Sonata by John Ireland.
Review: London Concertante at Malvern College
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Rapidly approaching its quarter-century, the annual 鈥淎utumn in Malvern鈥 festival doughtily presents a well-chosen programme of events, and brings a wide range of performers, with a particular emphasis on the young, to Elgarshire.
Review: James Rutherford at The Artrix, Bromsgrove
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Bromsgrove Concerts and the Housman Society combined on Friday evening for a son et lumiere evening devoted to the great local-boy poet鈥檚 A Shropshire Lad poetry-cycle.
Riccardo Chailly appears at Symphony Hall
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Riccardo Chailly, who has conducted some of the best orchestras in the world, appears at Symphony Hall tonight.
Review: Orchestra of the Swan with Tamsin Waley-Cohen, at Birmingham Town Hall
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Orchestra of the Swan has the happy knack of securing the most personable of artists-in-association.
A veritable feast of classical delights
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Christopher Morley takes a look at a busy classical concert programme in Birmingham this autumn.
Review: Turandot, Midland Opera at The Crescent Theatre
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Midland Opera has achieved marvels of resourcefulness in its current presentation of this last and grandest of Puccini operas - though it needs to make up its mind whether or not the 鈥渢鈥 at the end of 鈥淭urandot鈥 should be sounded.
Review: Arcadia Music Festival, Leintwardine and Downton-on-the Rocks
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There was a brilliant structure to this year鈥檚 Arcadia music festival, already the third to be held in the enchanted Welsh Marches borderland beyond Ludlow, between Bromfield and Leintwardine.
Midland Opera's small-scale Birmingham show
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Midland Opera will be presenting a sensitively scaled-down Puccini opera in Birmingham, writes Christopher Morley.
Review: Birmingham Contemporary Music Group, CBSO Centre
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Birmingham Contemporary Music Group鈥檚 25th birthday party was partly pooped by an important ethical question on Sunday night.
Review: CBSO/Weller, Ivanov at Symphony Hall
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Huge affectionate applause from both audience and orchestra greeted Walter Weller on Thursday, acknowledging the close relationship which has existed for the best part of three decades between the conductor and the CBSO.
Review: Orlando Generoso, Barber Institute, Birmingham University
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Professor Colin Timms bowed out last weekend after very nearly 40 years of teaching in Birmingham University鈥檚 Music Department with a genuine labour of love, the British premiere of an opera by Agostino Steffani, a baroque composer who has been so much at the centre of Timms鈥 life鈥檚 work.