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Young mezzo-soprano's vocal about her disability

Christopher Morley talks to mezzo-soprano Bethan Langford about how, despite being visually impaired, she has managed to carve out a glittering career

A view over the town of Ludlow in Shropshire, England(Image: Getty Images/iStockphoto)

Originally held only every three years, the Ludlow English Song Weekend goes annual this year. Set up by the Finzi Friends, the event has expanded to reflect the full extent of English song repertoire, works mingling from across the centuries.

Among the cream of young º£½ÇÊÓÆµ singers showcased by artistic director Iain Burnside is the mezzo-soprano Bethan Langford, born in Much Wenlock and educated at Bridgnorth Endowed School. Bethan is carving out a glittering career for herself, despite being visually impaired, and she tells me how she has surmounted this disability.

“I was lucky enough at school to have an incredibly supportive network of teachers and friends (particularly my music teacher and SEN teacher, whose daughter happened to be my best friend!) who encouraged me to pursue singing as a career by auditioning for music college.

“I think I was a bit sheltered by that support though, as I’ve had to learn over the years to be assertive when it comes to my needs – something that generally doesn’t come very easy to me. I’m lucky to have a disability that doesn’t affect my life too much in that I’m able to be independent, but that also means that sometimes people forget that it exists.

“I’m often asked if I ‘can cope’ when given music that is too small for me to read, or when I can’t see the conductor from where I’m standing, and that’s where I’ve had to learn to be more vocal about my disability. I found that if I wasn’t clearly communicating my requirements, I would come home with very bad headaches or would be unhappy with my work or nervous about the performance. So it just seemed the most professional thing to do to be clear about my visual impairment from the off and always communicate if there is a problem.

“I have found that individuals and companies are so accepting and accommodating of my needs, which is great. I do take some time to myself when first going on to a new opera set to make myself comfortable in the space and make myself aware of any problem areas.

“For example, I am completely blind in my left eye, and for one recent production the conductor and orchestra were positioned to the left of the stage which posed quite a significant challenge, but it’s just something that I have to take into account with my work – such as being really tall on a small set! I’m still learning about all this though, and definitely do look back sometimes and think ‘that wasn’t the best way to deal with that’.

“Generally, people want to help, and I’m lucky to have a great relationship with my singing teacher who is also my mentor really, and she is someone I always go to if I’m struggling with something.