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Seasonal sonority

As Easter approaches, performances from choral societies form a prominent part of the current concert calendar.

As Easter approaches, performances from choral societies form a prominent part of the current concert calendar.

Traditional works figure, but also some less obvious masterpieces get a hearing within the next few days.

On Saturday, for example, the continually imaginative Birmingham Choral Union combines two unlikely bedfellows in its programme at the Adrian Boult Hall. Stravinsky?s austere Symphony of Psalms (half-an-hour off for the violins in this razor-sharp work) precedes Brahms? richly textured, deeply consolatory A German Requiem. The popular and admired conductor Colin Baines is on the rostrum (7.30pm, details on 0121 360 7793).

The same evening Lichfield Cathedral hosts its own Chamber Choir accompanied by the St Chad?s Camerata for a performance under Nigel Argust of Bach?s dramatically concise St John Passion (7.30pm, 01543 306150).

Also on Saturday, Kidderminster Choral Society pairs Haydn?s famous Nelson Mass with even more famous Mozart (the Requiem) at the local Town Hall (7.30pm, 01562 700802).

Haydn (the Harmoniemesse) and Mozart (the magnificent incomplete torso which is his Mass in C minor) also make up Sunday?s programme from Birmingham Festival Choral Society at the Adrian Boult Hall (7.30pm). Anthony Bradbury conducts this attractive concert from Birmingham?s oldest choir.

Later in the year he hands over to Patrick Larley, conductor of the Ludlow and Nantwich Choral Societies, recently appointed as successor to BFCS? long-serving and much-loved music director, Jeremy Patterson.

Monday?s concert in the longrunning lunchtime organ recital series organised by the city organist sees Thomas Trotter accompanying the Birmingham Cathedral Choir under Marcus Huxley in the powerful yet understated Requiem by Maurice Durufle. Marcus Huxley, director of music at the Cathedral, conducts this performance on his home ground (1pm, 0121 236 5622).