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Hard-hearted curate liked to put the record straight

A 19th century Black Country vicar who squabbled with his parishioners had the last word - by penning his frank thoughts about them on a burial register. Chris Upton reports

Rev. George Barrs (1771-1840)

Much fuss is currently being made of Dylan Thomas in this, the centenary year of his birth. At the heart of much of the celebration is Under Milk Wood, the Welsh poet’s famous radio play, which is itself exactly 60 years old. One excellent production has recently been touring the Midlands.

Each time I see or hear Thomas’s magical account of one spring day in the life of Llareggub, I think of the Black Country. The accents could hardly be further apart, I know, and the setting too, but there’s something about this little village of quirky and imperfect humanity, tightly-knit and self-observing, that reminds me.

I don’t have the time or the talent to re-direct Milk Wood to Lower Gornal or Lye, though I’d love to try. But as luck would have it, I don’t have to. The Black Country’s own version of Rev Eli Jenkins, minister and chronicler of LLareggub, did the job for me.

Back in the early 19th century the village of Rowley Regis was part of the parish of Clent. It was a curious combination, given the vast difference in terrain and occupation, but an accident of ancient history. The vicars of Clent kept themselves to the high road, and left a curate to look after the souls and the paperwork down in Rowley.

The curate for the first 40 years of the 19th Century was one George Barrs. Born in Caldecote in Warwickshire, Barrs came to the Black Country from Norfolk, marrying into the Haden family. Rev Barrs had none of Eli Jenkins’ generosity of spirit; he was in a permanent state of war with his ungodly and riotous flock, “scarcely in a state of common civilisation”.

The Rowley parishioners were no more enamoured of Barrs, frequently abusing him in the street with words or missiles. The curate seemed to have little time for their very real sufferings.

Yet the people of Rowley were not in position to dispense with their hard-hearted curate altogether. It was he who joined their hands at the altar, christened their offspring, and laid them to rest. And it was in that final act that George Barrs was able to take his revenge, for he had access to the parish register, and he could write, and they (on both scores) did not.

So when Rev Barrs committed their respective souls to the Lord, he also committed his opinions of them to paper, and annotated the parish records accordingly.