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Abigail Kelly: I’d love to bring opera to new audiences

Soprano Abigail Kelly is a rising star in the classical musical scene. She talks to Christopher Morley about her career.

Birmingham-born soprano Abigail Kelly

The prestigious St John’s Smith Square in central London is the venue for a Summertime Gala Concert on Saturday, promoted to raise awareness of diabetes among the country’s ethnic minorities.

And starring in the programme is Abigail Kelly, the Birmingham-born soprano who is creating a huge presence on the musical scene. Whether appearing with English Touring Opera in critically-acclaimed productions, or performing for charitable causes, Abigail has a busy programme of events ahead of her.

I catch up with her as she returns from three days of four daily performances in Luxembourg for people with special educational needs.

“In these kinds of projects I get to connect with the audience in a way that you can’t when you’re performing an opera on stage,” she explains. “To be able to sing and interact so closely with people with such profound disabilities is a very special thing.”

Abigail first realised she had a voice when her piano teacher encouraged her to join the choir at her local church of St Faith and St Laurence in Harborne.

“I sang there about three times a week, and the detail that was put into our choir rehearsals was truly inspiring. We sounded pretty good as amateur choirs go! I was given the opportunities to sing plenty of solos which cured my initial nerves about singing alone in public too. I try and get back to sing with them when I can and it’s always a pleasure to do so.”

From those Harborne beginnings Abigail has moved into a singing career which has taken her all over the world, but particularly close to her heart are the opportunities to perform in her West Indies ancestral homeland.

“The performances in the Caribbean are great as I get a real sense of homecoming when I’m there, very much so in Jamaica as that is where my family is from but also I get such a warm sense of belonging by the people that I meet in the other Caribbean islands. I feel adopted in those countries in some ways as much as I do when I perform in Jamaica.