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Economic Developmentopinion

Peter Sharkey: Finding the right value in the football transfer window

The January transfer window, a period of questionable value, especially to employers, is prefaced by reams of newsprint devoted to how much clubs have to spend and forecasts of who will be moving where and at what cost.

The pervading sense of lethargy affecting most people returning to work this week contrasts sharply with the frenetic, behind-the-scenes activity evident at most football clubs and in players’ agents’ offices.

 

The January transfer window, a period of questionable value, especially to employers, is prefaced by reams of newsprint devoted to how much clubs have to spend and forecasts of who will be moving where and at what cost.

Accordingly, we’re told – without any reference to UEFA’s ‘Financial Fair Play’ (FFP) rules – that while some clubs are penniless, Chelsea and Manchester City, for example, have unlimited funds and could buy anyone they want.

While this is technically accurate, because UEFA have decreed that a club’s losses cannot exceed €45 million from the current financial year onwards, a figure which falls to €30 million by 2014-15, we may expect to witness a wave of that wonderfully-effective standby, creative accounting, beloved by football clubs everywhere, when this year’s accounts are eventually published.

Players acquired during the January window rarely have a significant, longer-term impact upon their new team’s performance.

Granted, there are some notable exceptions, but because the buying process is often a knee-jerk reaction to a perceived weakness that didn’t exist at the beginning of the season, or underperformance not anticipated in August, the transfer process is driven by anxiety.

It’s usually worry, not longer-term planning, which causes clubs to spend millions on what amount to expensive stop-gap measures.

Yet FFP is having a belated impact, resulting in more Premier League clubs revisiting the Moneyball theories made popular in the USA a few years ago.

Moneyball, written by Michael Lewis, a former banker, and later made into a film starring Brad Pitt, tells the story of Billy Beane, a general manager of the Oakland A’s baseball team, who revolutionised the sport by building a winning side based upon the analysis of statistical data of players either ignored or undervalued by everyone else.

Essentially, Beane sought players either at the start of their career, when potential had been recognised and their physical abilities were evident, or when they had reached the later stages, a point at which their experience could be acquired cheaply.